Wednesday 28 October 2020

Neal Shusterman: The Toll (2019)

    It looks like nothing else stands between Scythe Goddard and absolute power. Now that the Thunderhead is silent, the question remains: Is there anyone left who can stop him? (Goodreads).

    It is lucky for Shusterman that his writing is as good as it is, because this conclusion takes the more fast paced style of the first two and turns it on its head, leaving readers with a type of slow-burn political drama that only succeeds because of how well Shusterman writes. The poignancy of the trilogy increases by a mile while the action decreases disappointingly, but the entirety of it is dictated so well that one can hardly complain, or even get bogged down. The amount of plotlines just barely teeters on the edge of complexity without becoming too convoluted. New additions to the cast are lovely and the pre-existing mains stay developed and engaging, though one or two might have benefited from more air time. For all its buildup, though, the final climax is a bit of a letdown, and perhaps ends too quickly, but everything pays off nicely in the end. Overall, this conclusion is consistently satisfying and, while paced slow, remains engaging and has enough twists and turns to be a true thriller. It is also able to resonate somewhat with surprising political poignancy: "Only idiots build walls." 8.1/10

    

Sunday 11 October 2020

Neal Shusterman: Thunderhead (2018)

    The Thunderhead observes everything, and it does not like what it sees. Will it intervene? Or will it simply watch as this perfect world begins to unravel? (Goodreads).

    The ending is so darn good that it is hard not to say this book is without fault, but I must acknowledge a slow start where the stakes are really not set. Classic middle-book-in-a-trilogy stuff. It's written well of course, but it is difficult to become invested again because of this. But around the time of the election in the plot, it picks up immensely. The villain is re-established menacingly and the urgency is palpable from then on, even if the physical action actually slows down. The suspense is fantastic and boy does that ending hit hard, even turning into an edge-of-the-seat disaster plot. A few other critiques: New characters are not anything special, and a couple plotlines don't pay off, but again, that's pretty common when it comes to middle books. Also the "quotes" from the Thunderhead are neat but they don't make much sense logistically. Make it past the start, and the ending is wholly worthwhile. 8.2/10